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International Journal of Social Sciences & Economic Environment

THE PROPERTY OF AN ADVANCED MANLINESS: A FEMININE FELLA IN THE DRAMA

Ruchi Solankhi

Assistant Professor of Social Studies, NIU, Noida

DOI : https://doi.org/10.53882/IJSSEE.2018.0302003 Page No :

Published Online : 2018-12-30

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ABSTRACT

Feminine Man in Indian English Theatre is the subject of this paper as a new location for gender politics. Society develops gender assumptions based on how men and women behave in a cultural environment. Many detractors argue that gender is a social construct, whereas sex is biology. Since the start of civilization, each epoch has had its own distinct vision of what it means to be a man. Masculinity in today's society is defined in a broad sense. Feminine Man is a result of today's masculinity. In modern Indian English theatre, the 'invisible' issue of gender identity is revealed. Mahesh Dattani's comedy Dance Like a Man is about masculinity. Jairaj Parekh, the protagonist of India's new age theatre, represents and emphasises this Feminine Man tendency, which is influenced by social circumstances in some way.

Keywords: India, sociological phenomena, play, staging, protagonist

REFERENCES

Ayyar, Raj. (2004). Mahesh Dattani: India’s Gay Cinema Comes of Age. Gay Today, 8(48).

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Beemyn, G., & Rankin, S. (2011). The Lives of Transgender People. New York:

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Cite This Article as: Solankhi R, “The Property Of An Advanced Manliness: A Feminine Fella In The Drama”, International Journal of Social Sciences & Economic Environment, Vol. 3, Issue 2, Jul-Dec, 2018, pp 15-22, DOI: https://doi.org/10.53882/IJSSEE.2018.0302003

Article View: 269
PDF Download: 0

REFERENCES

Ayyar, Raj. (2004). Mahesh Dattani: India’s Gay Cinema Comes of Age. Gay Today, 8(48).

Retrieved from http://gaytoday.com.

Beemyn, G., & Rankin, S. (2011). The Lives of Transgender People. New York:

Columbia University Press.

Butler, Judith. (1990). Gender Trouble: Feminism and Subversion of Identity. New York and

London: Routledge.

Dattani, Mahesh. (2000). Collected Plays. New Delhi: Penguin Books.

Dubar C. (2005). A socializacao: construcao das identidades sociais e profissionais. Sao Paulo:

Martins Fontes.

Jackson, Peter. (1991). The Cultural Politics of Masculinity: Towards a Social Geography.

London: Institute of British Geographers.

Meena, C. K. (1999, 16 Mar-15Apr). Unmasking the Middle Class: The Drama of Mahesh

Dattani. Indian Review of Books, 8(6). 8-10.

Mehta, Neha. (2004). Dance of a Paceless Film.Pioneer. 11.

Multani, Angelie. (1996). On Mahesh Dattani’s Dance Like a Man: The Politics of

Production and Performance. Seagull Theatre Quarterly, 11. 59

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